Jerred Metz’s narrative of an African-American newlywed and business genius making her way through the trickster-laden world of early 20th century Georgia addresses the subtle dangers of that ‘almost slavery’ era with delightful ironic humor. Metz’s sense of vernacular diction and rhythm is masterful: a plain-speak so convincing you can’t tell where the irony begins or ends: you just understand it’s necessary for the survival of this admirably gutsy protagonist and her marriage, a sort of linguistic underground railroad to her happiness, delightfully sneaky and hilariously true. Iola is a timeless heroine, yet also very much of her time, and so authentically Southern you can practically taste the moonshine burning down your throat, the watermelon juices
dripping from your chin.
Nicola Waldron, Girl at the Watershed